On the line from Berkeley, California, Ken talks on many different subjects, including the tattoo on his arm, his early childhood vocalizations, Jimi Hendrix, the megaphone, mechanical reproduction, and person-specific music. With musical examples from his pieces Future Lilacs, On a Sufficient Condition for the Existence of Most Specific Hypothesis, Hapax Legomanon, Fanfares for the Apocalypse, and Shiroi Ishi.